Tell them that I stood
in line
and I waited
and I waited
like everybody
else
But I never got
called
And I keep that scrap
of paper
in my pocket
just in case
Tell them that I stood
in line
and I waited
and I waited
like everybody
else
But I never got
called
And I keep that scrap
of paper
in my pocket
just in case
In Islam, “Ghaflah” refers to the sin of forgetfulness
Grief scrapes at my skin
she never
“Be a big girl!”
wanted to touch
much
except to disinfect
or bandage
I acknowledge nothing
I forget the mother of my hurt
her innocence of pride
her suicide
That first woman
lowered eyes
folded hands
withered limbs
among the plastic flowers
rhinestone bracelets
eau de toilette
trinkets from slow
compromise
Where did she go?
After swallowing fifteen/twenty/thirty-five pills
she tried to rise
and rising
froze
forever trying to arise
from compromise
And I do not remember finding her
like that
half seated half
almost standing up
just dead
by her own hand
just dead
I do not remember finding her
like that
I forget the burned toast/
spinach
cold eggs
taste-free tuna fish
and thin spread peanut butter
sandwiches
she left for me
I erase
the stew the soup
she cooked and carried
everywhere
to neighbors
I forget three or four other things
I cannot recall
how many pairs of pretty shoes
how many dressup overcoats
I saved my nickels
dimes and quarters
all year long
to buy
at Christmas time
to give to her
my mother
she
the one who would wear nothing
beautiful
Or how I strut
beside her walking anywhere
prepared for any lunatic
assault
upon her shuffling
journey
to a bus stop
I acknowledge nothing
I forget she taught me
how to pray
I forget her prayers
And mine
I do not remember
kneeling down
to ask for wisdom
high-top sneakers
or linoleum chips
to animate
my zip gun
I have never remembered
the blistering fury
the abyss
into which
I capsized
after her last
compromise
I wish I had found her
that first woman
my mother
trying to rise
up
I wish I had given her
my arm
both arms
I have never forgiven her
for going away
But I don’t remember anything
Grief scrapes at my skin
she never
“Be a big girl!”
wanted to touch
much
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
wrote 366 poems
in the 365 days
of 1862
she sewed them together
in 20 or so fascicles
“fascicle” just means
little bundle,
like “faggot”
she was 32,
her brain ablaze
like some god-awful star
once I felt like
anything could happen
Be perfect, make it otherwise.
Yesterday is torn in shreds.
Lightning’s thousand sulfur eyes
Rip apart the breathing beds.
Hear bones crack and pulverize.
Doom creeps in on rubber treads.
Countless overwrought housewives,
Minds unraveling like threads,
Try lipstick shades to tranquilize
Fears of age and general dreads.
Sit tight, be perfect, swat the spies,
Don’t take faucets for fountainheads.
Drink tasty antidotes. Otherwise
You and the werewolf: newlyweds.
I SAID I LOVED YOU AND I WANTED
GENOCIDE TO STOP
I SAID I LOVED YOU AND I WANTED AFFIRMATIVE
ACTION AND REACTION
I SAID I LOVED YOU AND I WANTED MUSIC
OUT THE WINDOWS
I SAID I LOVED YOU AND I WANTED
NOBODY THIRST AND NOBODY
NOBODY COLD
I SAID I LOVED YOU AND I WANTED I WANTED
JUSTICE UNDER MY NOSE
I SAID I LOVED YOU AND I WANTED
BOUNDARIES TO DISAPPEAR
I WANTED
NOBODY ROLL BACK THE TREES!
I WANTED
NOBODY TAKE AWAY DAYBREAK!
I WANTED NOBODY FREEZE ALL THE PEOPLE ON THEIR
KNEES!
I WANTED YOU
I WANTED YOUR KISS ON THE SKIN OF MY SOUL
AND NOW YOU SAY YOU LOVE ME AND I STAND
DESPITE THE TRILLION TREACHERIES OF SAND
YOU SAY YOU LOVE ME AND I HOLD THE LONGING
OF THE WINTER IN MY HAND
YOU SAY YOU LOVE ME AND I COMMIT
TO FRICTION AND THE UNDERTAKING
OF THE PEARL
YOU SAY YOU LOVE ME
YOU SAY YOU LOVE ME
AND I HAVE BEGUN
I BEGIN TO BELIEVE MAYBE
MAYBE YOU DO
I AM TASTING MYSELF
IN THE MOUNTAIN OF THE SUN
cbs news
lebanon 1983
they murdered
27 of my family
counting the babies
in the wombs.
some of the men
spilled seed on the ground.
how much is a
thousand thousand?
i had a child.
i taught her to love.
i should have taught her
to fear.
i have learned about blood
and bullets where is the love
in my education?
a woman in this camp
has 1 breast and 2 babies.
a woman in this camp
has breasts like mine.
a woman in this camp
watched the stealing
of her husband.
a woman in this camp
has eyes like mine.
alive
i never thought of other women.
if i am ever alive again
i will hold out my female hands.
you fit into me
like a hook into an eye
a fish hook
an open eye
Margaret Atwood, “you fit into me” from Power Politics. Copyright © 1971 by Margaret Atwood. Reprinted without permission of House of Anansi Books.
sleeping by myself
curled up like a question mark
come and answer me
During my worst times
on the park benches
in the jails,
or living with whores,
I always had this certain contentment –
I wouldn’t call it happiness –
it was more of an inner balance
that settled for whatever was occurring
and it helped in the factories
and when relationships went wrong
with the girls.
It helped through the wars,
and the hangovers,
the back alley fights,
the hospitals.
To awaken in a cheap room
in a strange city and
pull up the shade –
this was the craziest kind
of contentment.
And to walk across the floor
to an old dresser
with a cracked mirror –
see myself, ugly,
grinning at it all.
What matters most
is how well you walk
through the fire.