6’5″
4″
Category: Poem
“One Season,” Tony Hoagland
That was the summer my best friend
called me a faggot on the telephone,
hung up, and vanished from the earth,
a normal occurance in this country
where we change our lives
with the swiftness of hysterical finality
of dividing cells. That month
the rain refused to fall,
and fire engines streaked back and forth crosstown
towards smoke-filled residential zones
where people stood around outside, drank beer
and watched their neighbors houses burn.
It was a bad time to be affected
by nearly anything,
especially anything as dangerous
as loving a man, if you happened to be
a man yourself, ashamed and unable to explain
how your feelings could be torn apart
by something ritual and understated
as friendship between males.
Probably I talked too loud that year
and thought an extra minute
before I crossed my legs; probably
I chose a girl I didn’t care about
and took her everywhere,
knowing I would dump her in the fall
as part of evening the score,
part of practicing the scorn
it was clear I was going to need
to get across this planet
of violent emotional addition
and subtraction. Looking back, I can see
that I came through
in the spastic, furtive, half-alive manner
of accident survivors. Fuck anyone
who says I could have done it
differently. Though now I find myself
returning to the scene
as if the pain I fled
were the only place that I had left to go;
as if my love, whatever kind it was, or is,
were still trapped beneath the wreckage
of that year,
and I was one of those angry firemen
having to go back into the burning house;
climbing a ladder
through the heavy smoke and acrid smell
of my own feelings,
as if they were the only
goddamn thing worth living for.
“Elegy for My Father,” Mark Strand
(Robert Strand 1908-1968)
1 THE EMPTY BODY
The hands were yours, the arms were yours,
But you were not there.
The eyes were yours, but they were closed and would not open.
The distant sun was there.
The moon poised on the hill’s white shoulder was there.
The wind on Bedford Basin was there.
The pale green light of winter was there.
Your mouth was there,
But you were not there.
When somebody spoke, there was no answer.
Clouds came down
And buried the buildings along the water,
And the water was silent.
The gulls stared.
The years, the hours, that would not find you
Turned in the wrists of others.
There was no pain. It had gone.
There were no secrets. There was nothing to say.
The shade scattered its ashes.
The body was yours, but you were not there.
The air shivered against its skin.
The dark leaned into its eyes.
But you were not there.
2 ANSWERS
Why did you travel?
Because the house was cold.
Why did you travel?
Because it is what I have always done between sunset and sunrise.
What did you wear?
I wore a blue suit, a white shirt, yellow tie, and yellow socks.
What did you wear?
I wore nothing. A scarf of pain kept me warm.
Who did you sleep with?
I slept with a different woman each night.
Who did you sleep with?
I slept alone. I have always slept alone.
Why did you lie to me?
I always thought I told the truth.
Why did you lie to me?
Because the truth lies like nothing else and I love the truth.
Why are you going?
Because nothing means much to me anymore.
Why are you going?
I don’t know. I have never known.
How long shall I wait for you?
Do not wait for me. I am tired and I want to lie down.
Are you tired and do you want to lie down?
Yes, I am tired and I want to lie down.
3 YOUR DYING
Nothing could stop you.
Not the best day. Not the quiet. Not the ocean rocking.
You went on with your dying.
Not the trees
Under which you walked, not the trees that shaded you.
Not the doctor
Who warned you, the white-haired young doctor who saved you once.
You went on with your dying.
Nothing could stop you. Not your son. Not your daughter
Who fed you and made you into a child again.
Not your son who thought you would live forever.
Not the wind that shook your lapels.
Not the stillness that offered itself to your motion.
Not your shoes that grew heavier.
Not your eyes that refused to look ahead.
Nothing could stop you.
You sat in your room and stared at the city
And went on with your dying.
You went to work and let the cold enter your clothes.
You let blood seep into your socks.
Your face turned white.
Your voice cracked in two.
You leaned on your cane.
But nothing could stop you.
Not your friends who gave you advice.
Not your son. Not your daughter who watched you grow small.
Not fatigue that lived in your sighs.
Not your lungs that would fill with water.
Not your sleeves that carried the pain of your arms.
Nothing could stop you.
You went on with your dying.
When you played with children you went on with your dying.
When you sat down to eat,
When you woke up at night, wet with tears, your body sobbing,
You went on with your dying.
Nothing could stop you.
Not the past.
Not the future with its good weather.
Not the view from your window, the view of the graveyard.
Not the city. Not the terrible city with its wooden buildings.
Not defeat. Not success.
You did nothing but go on with your dying.
You put your watch to your ear.
You felt yourself slipping.
You lay on the bed.
You folded your arms over your chest and you dreamed of the world
without you,
Of the space under the trees,
Of the space in your room,
Of the spaces that would now be empty of you,
And you went on with your dying.
Nothing could stop you.
Not your breathing. Not your life.
Not the life you wanted.
Not the life you had.
Nothing could stop you.
4 YOUR SHADOW
You have your shadow.
The places where you were have given it back.
The hallways and bare lawns of the orphanage have given it back.
The Newsboys Home has given it back.
The streets of New York have given it back and so have the streets of
Montreal.
The rooms in Bel?m where lizards would snap at mosquitos have
given it back.
The dark streets of Manaus and the damp streets of Rio have given it
back.
Mexico City where you wanted to leave it has given it back.
And Halifax where the harbor would wash its hands of you has given
it back.
You have your shadow.
When you traveled the white wake of your going sent your shadow
below, but when you arrived it was there to greet you. You had
your shadow.
The doorways you entered lifted your shadow from you and when you
went out, gave it back. You had your shadow.
Even when you forgot your shadow, you found it again; it had been
with you.
Once in the country the shade of a tree covered your shadow and you
were not known.
Once in the country you thought your shadow had been cast by somebody
else. Your shadow said nothing.
Your clothes carried your shadow inside; when you took them off, it
spread like the dark of your past.
And your words that float like leaves in an air that is lost, in a place
no one knows, gave you back your shadow.
Your friends gave you back your shadow.
Your enemies gave you back your shadow. They said it was heavy and
would cover your grave.
When you died your shadow slept at the mouth of the furnace and ate
ashes for bread.
It rejoiced among ruins.
It watched while others slept.
It shone like crystal among the tombs.
It composed itself like air.
It wanted to be like snow on water.
It wanted to be nothing, but that was not possible.
It came to my house.
It sat on my shoulders.
Your shadow is yours. I told it so. I said it was yours.
I have carried it with me too long. I give it back.
5 MOURNING
They mourn for you.
When you rise at midnight,
And the dew glitters on the stone of your cheeks,
They mourn for you.
They lead you back into the empty house.
They carry the chairs and tables inside.
They sit you down and teach you to breathe.
And your breath burns,
It burns the pine box and the ashes fall like sunlight.
They give you a book and tell you to read.
They listen and their eyes fill with tears.
The women stroke your fingers.
They comb the yellow back into your hair.
They shave the frost from your beard.
They knead your thighs.
They dress you in fine clothes.
They rub your hands to keep them warm.
They feed you. They offer you money.
They get on their knees and beg you not to die.
When you rise at midnight they mourn for you.
They close their eyes and whisper your name over and over.
But they cannot drag the buried light from your veins.
They cannot reach your dreams.
Old man, there is no way.
Rise and keep rising, it does no good.
They mourn for you the way they can.
6 THE NEW YEAR
It is winter and the new year.
Nobody knows you.
Away from the stars, from the rain of light,
You lie under the weather of stones.
There is no thread to lead you back.
Your friends doze in the dark
Of pleasure and cannot remember.
Nobody knows you. You are the neighbor of nothing.
You do not see the rain falling and the man walking away,
The soiled wind blowing its ashes across the city.
You do not see the sun dragging the moon like an echo.
You do not see the bruised heart go up in flames,
The skulls of the innocent turn into smoke.
You do not see the scars of plenty, the eyes without light.
It is over. It is winter and the new year.
The meek are hauling their skins into heaven.
The hopeless are suffering the cold with those who have nothing to
hide.
It is over and nobody knows you.
There is starlight drifting on the black water.
There are stones in the sea no one has seen.
There is a shore and people are waiting.
And nothing comes back.
Because it is over.
Because there is silence instead of a name.
Because it is winter and the new year.
“Seawater Stiffens Cloth,” Jane Hirschfield
Seawater stiffens cloth long after it’s dried.
As pain after it’s ended stays in the body:
A woman moves her hands oddly
because her grandfather passed through
a place he never spoke of. Making
instead the old jokes with angled fingers.
Call one thing another’s name long enough,
it will answer. Call pain seawater, tree, it will answer.
Call it a tree whose shape of branches happened.
Call what branching happened a man
whose job it was to break fingers or lose his own.
Call fingers angled like branches what peel and cut apples,
to give to a girl who eats them in silence, looking.
Call her afterward tree, call her seawater angled by silence.
“I Must Become a Menace to My Enemies,” June Jordan
Dedicated to the Poet Agostinho Neto,
President of The People’s Republic of Angola: 1976
1
I will no longer lightly walk behind
a one of you who fear me:
Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or
condemn me
I must become the action of my fate.
2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number?
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?
I must become a menace to my enemies.
3
And if I
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul
in its bedeviled lecheries
And if I
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.
“I Am Asking You to Come Back Home,” Jo Carson
I am asking you to come back home
before you lose the chance of seein’ me alive.
You already missed your daddy.
You missed your uncle Howard.
You missed Luciel.
I kept them and I buried them.
You showed up for the funerals.
Funerals are the easy part.
You even missed that dog you left.
I dug him a hole and put him in it.
It was a Sunday morning, but dead animals
don’t wait no better than dead people.
My mamma used to say she could feel herself
runnin’ short of the breath of life. So can I.
And I am blessed tired of buryin’ things I love.
Somebody else can do that job to me.
You’ll be back here then; you come for funerals.
I’d rather you come back now and got my stories.
I’ve got whole lives of stories that belong to you.
I could fill you up with stories, stories I ain’t told nobody yet,
stories with your name, your blood in them.
Ain’t nobody gonna hear them if you don’t
and you ain’t gonna hear them unless you get back home.
When I am dead, it will not matter
how hard you press your ear to the ground.
“Acquainted With the Night,” Robert Frost
I have been one acquainted with the night.
I have walked out in rain – and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
A luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
“Illiterate,” Shadab Vajdi
translated by Loftali Khaji
I know a man
who reads all inscriptions on ancient stones
and who knows
the grammars of all languages, dead or alive,
but who cannot read
the eyes of a woman
whom he thinks he loves.
[fragment], Ashe Vernon
People must think
that being a poet is very slow,
sincere and quiet.
But at night
the inside of my chest is
so loud,
sometimes I stay awake for days,
trying to out-howl
the hunger
inside it.
“Song,” JT Stewart
1.
fresh off the
boat
they break you
in barbados
they split for you
you tongue
they slice for you
you ear
they dig for you
a hole of dirt
for you big child
belly
they whip you
make you belly
lie down
they put on you
you neck
the ring of
iron
they say no
to no eat the
sugar cane
they put on you
you mouth
the mask of
tin
they tie you
man to
four green tree
they make you
man fly to
all four wind
they say you
you sing
2.
sing calypso sky
sing soka wind
they ship you
to they home
all ways
they break you
in barbados
3.
salt
all ways
salt
4.
our bones be
ocean floors
our bones be
masts of ships
our bones be
coral reefs
our bones sing
of salt
