“Heaven,” Cathy Song

He thinks when we die we’ll go to China.
Think of it—a Chinese heaven   
where, except for his blond hair,   
the part that belongs to his father,   
everyone will look like him.
China, that blue flower on the map,   
bluer than the sea
his hand must span like a bridge   
to reach it.
An octave away.

I’ve never seen it.
It’s as if I can’t sing that far.
But look—
on the map, this black dot.
Here is where we live,
on the pancake plains
just east of the Rockies,
on the other side of the clouds.
A mile above the sea,
the air is so thin, you can starve on it.   
No bamboo trees
but the alpine equivalent,
reedy aspen with light, fluttering leaves.   
Did a boy in Guangzhou dream of this   
as his last stop?

I’ve heard the trains at night
whistling past our yards,
what we’ve come to own,
the broken fences, the whiny dog, the rattletrap cars.   
It’s still the wild west,
mean and grubby,
the shootouts and fistfights in the back alley.   
With my son the dreamer
and my daughter, who is too young to walk,   
I’ve sat in this spot
and wondered why here?
Why in this short life,
this town, this creek they call a river?

He had never planned to stay,   
the boy who helped to build   
the railroads for a dollar a day.   
He had always meant to go back.   
When did he finally know
that each mile of track led him further away,   
that he would die in his sleep,   
dispossessed,
having seen Gold Mountain,
the icy wind tunneling through it,
these landlocked, makeshift ghost towns?

It must be in the blood,   
this notion of returning.
It skipped two generations, lay fallow,
the garden an unmarked grave.
On a spring sweater day   
it’s as if we remember him.   
I call to the children.   
We can see the mountains   
shimmering blue above the air.
If you look really hard
says my son the dreamer,
leaning out from the laundry’s rigging,   
the work shirts fluttering like sails,   
you can see all the way to heaven

“Getting There,” Christopher Buckley

Time to give up
grieving my mother’s loss,
faulting my father and
his Neolithic moral certitude
about every detail
on the evening news,
his general absence
hanging like the gray
sheets on the line.

Never mind how
mismatched in the heart,
I should be grateful
they were there at all,
for that moment
that childhood stretched
like fog, the beach empty
and unmarked.

It comes to little now
who I forgive, mourn,
or thank. The dust shifts
and we are barely
suspended in the light.

I know this little thing:
there’s a boy somewhere
in a station where
the trains still run,
wearing scuffed brown shoes,
gray overcoat, and cap;
someone has neatly parted
and combed his hair.


He is waiting
to be taken by the hand
and told where we are going,
to hear we are headed home—
though I can see nothing
beyond the smoke
and midnight haze
at the far end
of the platform,
where I am not
even sure of the stars.

“Population,” Mark Halliday

Isn’t it nice that everyone has a grocery list
except the very poor you hear about occasionally
we all have a grocery list on the refrigerator door;
at any given time there are thirty million lists in America
that say BREAD. Isn’t it nice
not to be alone in this. Sometimes
you visit someone’s house for the first time
and you spot the list taped up on a kitchen cabinet
and you think Yes, we’re all in this together.
TOILET PAPER. No getting around it.
Nice to think of us all
unwrapping the new rolls at once,
forty thousand of us at any given moment.

Orgasm, of course, being the most vivid example: imagine
an electrified map wired to every American bed:
those little lights popping
on both sides of the Great Divide,
popping to beat the band. But
we never beat the band: within an hour or a day
we’re horny again, or hungry, or burdened with waste.
But isn’t it nice to be not noticeably responsible,
acquitted eternally in the rituals of the tribe:
it’s only human! It’s only human and that’s not much.

So, aren’t you glad we have such advanced farm machinery,
futuristic fertilizers, half a billion chickens
almost ready to die. Here come the loaves of bread for us
thup, thup thup thup for all of us thup thup
except maybe the very poor
thup thup
and man all the cattle we can fatten up man,
there’s no stopping our steaks. And that’s why
we can make babies galore, baby:
let’s get on with it. Climb aboard.
Let’s be affirmative here, let’s be pro-life for God’s sake
how can life be wrong?
People need people and the happiest people are
surrounded with friendly flesh.
If you have ten kids they’ll be so sweet –
ten really sweet kids! Have twelve!
What if there were 48 pro baseball teams,
you could see a damn lot more games!
And in this fashion we get away
from tragedy. Because tragedy comes when someone
gets too special. Whereas,

if forty thousand kitchen counters
on any given Sunday night
have notes on them that say
I CAN’T TAKE IT ANYMORE
I’M GONE, DON’T TRY TO FIND ME
you can feel how your note is
no big thing in America,
so, no horrible heartbreak,
it’s more like a TV episode,
you’ve seen this whole plot lots of times
and everybody gets by –
you feel better already –
everybody gets by
and it’s nice. It’s a people thing.
You’ve got to admit it’s nice.

“Sheep,” Jane Hirshfield

It is the work of feeling
to undo expectation.

A black-faced sheep
looks back at you as you pass
and your heart is startled
as if by the shadow
of someone once loved.

Neither comforted by this
nor made lonely.

Only remembering
that a self in exile is still a self,
as a bell unstruck for years
is still a bell.